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FCPM: Intangible Geometries in the Art of Jomike Tejido
By KT Team

From Maginhawa to Koganecho, With Love
By Pao Vergara

“In the Face of…”

A Portrait of a Portrait Show II
By Mara Fabella

The Visceral Mindscapes of Tarzeer Pictures’ Hemispheres
By Sean Carballo
"Throughout the show, a range of elements attempt to provide structure and shelter for the mind. Light crackles and…

Hannah Nantes on the home and its (dis)contents
By The Cartellino Team
Her Cartellino solo release Garden of Lost Snails continues until October 18.

Nina Garibay and the art of piecing a presence together
By The Cartellino Team
Her Cartellino Solo Release, I’m…

A wild plant grows through the concrete pavement
By Pao Vergara
Punk lives on in unexpected spaces through artists A.lien (Neil Arvin Javier) and Mark Tandoyog.

Natures of Curation: A Conversation with Gian Carlo Delgado
By Sean Carballo
In the Realm of Nature grappled with our ideas about nature, inviting…

First impressions: Inside the OVERINKED Studio
By The Cartellino Team
As part of Prints Made in May 2023, Cartellino met with the members of up-and-coming Quezon City printmaking studio,…

A Break-Up as Queer Form in Jao San Pedro’s Willing the Sun to Rise Twice
By Sean Carballo

Print and Imprint: Pandy and Diana Aviado on leaving a mark through printmaking
By Nikki Ignacio
“I’m still trying to find out what it all means—

A Paradise Ago: Pinky Ibarra Urmaza's Ghost Ode to the Library
By Sean Carballo
"What does an artwork know? What does it withhold from the viewer? And how does one, finally, respond to its enigmas?"

The building blocks of Baraks: Artists at the heart of the collective/space
By Lk Rigor
“Fundamentally, artists are at the heart of this collective/space, so we understand the economics of how it is…

Tactile trajectories: The curatorial life with Pristine de Leon
By Sean Carballo
"Archive here is not personal, but intimate; it keeps the world close by. The hand is only one among many hands, open to being touched."

Beyond the line: A profile on Eugenia Alcaide
By Corinne Fernandez Garcia
“It is this emotion that compels, that makes art relatable, that turns a personal image universal.”

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)
By Lk Rigor
At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open, rife with possibilities, just waiting…

Further Conversation with Material: Curator’s Talk with Lara Acuin and Con Cabrera 
By Lk Rigor
Speaking with Lk Rigor, curators Lara Acuin and Con Cabrera go into the intricacies of curating, artmaking, and archiving, and how the team —…

A decade of Jaime Pacena II’s creative practice: There’s art in all the in-betweens
By James Luigi Tana

Collaging Worlds: The Contemporary Spiritual in Jet B. Leyco’s Ispirituwal Transaction
By Pie Tiausas
"With the collapse of the search for an archaic singular truth then comes the espousal of the contemporary spiritual…

'The absence left the void half full': Works on what we find in nothingness
By Gabrielle Gonzales
Cartellino's first ever physical exhibition, presented at the 2022 Modern and Contemporary Art Festival, features works by Jobert Cruz, Teo Esguerra,…

To the fires that never go out: An ode to the myth, method, and madness in Iya Regalario’s Tag-Apoy
By Nikki Ignacio
“Fire is life and death, the beginning and end, constantly burning through the timeline of our national identity…