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A Red That Runs Deep: Doktor Karayom’s Namatanda
By Mara Fabella
At Artinformal Gallery, Doktor Karayom clads the walls red with tales of old, the stories that bleed.

Discerning Treasure and Wealth in Jandy Carvajal’s Repoussé Artworks
By Mara Fabella
His third exhibit of repoussé works, Ang Ating Mga Kayamanan Sa Bakuran is Jandy Carvajal's inquiry into the alignment of our…

To the fires that never go out: An ode to the myth, method, and madness in Iya Regalario’s Tag-Apoy
By Nikki Ignacio
“Fire is life and death, the beginning and end, constantly burning through the timeline of our national identity…

Manix Abrera’s Tahakin: Pick a path, any path!
By The Cartellino Team

The Gathering Infestation in ND Harn’s Collecting Faults
By Mara Fabella
ND Harn's latest offering at Finale Art File unpack the stashes of thoughts and memories we stow away in the corners of our mind. 

Pio Abad: Exorcising the Ghosts of the Marcos Regime
By Mara Fabella
After ten years of research into the conjugal dictatorship of Ferdinand and Imelda Marcos, Pio Abad's Fear of Freedom Makes Us See Ghosts unearths…

Remembering and Retrieving in Ateneo Art Gallery's Ligalig
By Meg Genuino
"...With only less than a month before the registered population is given a chance to choose the nation’s leaders, Ligalig presents a diversity…

The Regions in Focus at the 10th Art Fair Philippines
By Marz Aglipay
With this year’s edition of Art Fair Philippines going hybrid, featured art groups from the country’s three main island clusters discuss…

Finding Poetry in Jel Suarez’s arrivals, retrievals
By Shireen Co
Every element in each assemblage or collage is handpicked…

On the Threads of Space and Time in “Passing”
By Mara Fabella
In her solo show “Passing,” Celine Lee wrestles with the inevitable pull of the unknowable.

Shedding Light: FotomotoPH on Their Inaugural and Connection through Portraiture
By The Cartellino Team
“Fotomoto” is a play on the words “photo mo ‘to.” The Cartellino…

Printmaking Illustrations: The self-published books and full-colored prints of Keith Gum
By Marz Aglipay
Unlike artists books that are often focused on highlighting works of an artist, Keith’s…

Luck at First Strike: Three Winning Filipina Printmakers at International Print Exhibition
By Marz Aglipay
“Striking” is a printmaking term, meaning to lay paper on an inked plate to make a mark. It is also a convenient word to describe the winning…

Defining Home in the Works of Contreras, Bacay, and Tee
By Mara Fabella
In this month’s exhibitions at MO_Space Gallery, Marionne Contreras, Pope Bacay, and Nicole Tee recreate the…

NFT Art: A Double-Edged Sword
By Raissa Azarcon
When the quality of art is equivalent to its mintability, what exactly is being sustained?

Expanding the Tapestry: Modern Myth-Making with Philippine Spirits
By Mara Fabella
Jean Karl Gaverza engages with local myth and folklore -- and invites readers to do the same.

A Site of Curiosities: Soft Power Peripherals
By Marz Aglipay
If you’re reading this article from your workstation, take a good look at your surroundings.…

What to See in This Year's UPCFA Studio Arts Degree Show
By Shireen Co
This year's UPCFA student degree showcase serves up a balance of skill, talent, ingenuity, limning, incidentally, the pressures that come with them.

Sam Feleo’s Scopic Anatomies Continues with Altro Mondo
By The Cartellino Team
Scopic Anatomies - first with Cartellino, now on view at Altro Mondo gallery - is a fond update on the artist's ongoing practice.

STRANGE FRUIT: Six Photographers Define Light Nutrition
By Jed Escueta
Their works debuted…

Regina Reyes and the Art of What We Leave Behind
By Jose Naval
In the artist's second solo show, Sunday becomes a vibe. The author catches up with the artist on the ideas behind her continuing practice.