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Everything’s Going to Be Fine: In Conversation with Katrina Stuart Santiago
By Madeleine Teh

Creating connections with Rachel Anne Lacaba
By The Cartellino Team

Refuge in the Art of Nicole Tee
By Mara Fabella
"Are we shaped by the spaces around us, or are our spaces extensions of our innermost selves?"

The non-brutal submissions in Archie Geotina’s Tropikal Brutalism
By Lk Rigor

Natures of Curation: A Conversation with Gian Carlo Delgado
By Sean Carballo
In the Realm of Nature grappled with our ideas about nature, inviting…

Tracing the Ant: Curator’s Talk with Mayumi Hirano
By Lk Rigor
In her second Curator's Talk, writer Lk Rigor speaks with Mayumi Hirano about the challenges and charms of curating—tracing the ant, so to speak,…

Upon A Bed of Gravel: A Journey Through Nona Garcia’s Overland
By Mara Fabella
What does it mean to actually “be” in a place—to be present in all its qualities, in what makes it unique? Reviewing Nona Garcia’s…

Finding the Filipino in Living Pictures
By Lk Rigor
Decribed as “the world’s first-ever survey of photography's histories across Southeast Asia”, ‘Living Pictures’ offers…

Material Histories in Muntadas: Exercises on Past and Present Memories
By Sean Carballo
"Resulting from a period of archival research after the artist first visited the country in 2019, Antoni Muntadas’s…

The Nebulous Aftermath: Rebirth in the Works of Amy Aragon, Jay Ticar, and Maria Cruz
By Mara Fabella
"It remains the keen ability of the artist to condense this vast spectrum of stories into pools of color, form, and…

Tactile trajectories: The curatorial life with Pristine de Leon
By Sean Carballo
"Archive here is not personal, but intimate; it keeps the world close by. The hand is only one among many hands, open to being touched."

Galleries take a youthful approach to art at the Xavier Art Fest 2023
By Pao Vergara
Resuming its in-person format, the Xavier Art Fest continues its mission to make art less intimidating.

Catalina Africa charts a shapeshifting path
By Sean Carballo
“The energy of my work comes from the Baler landscape... I am a conduit to translate the language of nature.”…

Oh, for art’s sake! The No Name Show is back
By Pao Vergara
In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Molding, meaning, making: How Tahanan Pottery is building a communal home for contemporary ceramic pottery
By Nikki Ignacio
“Clay is the only material that replies to your touch. When you poke it and pull it, that’s actually you,…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)
By Lk Rigor
At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open, rife with possibilities, just waiting…

An art of memory in crisis
By Sean Carballo
"In these works, looking is no ambiguous act. To look — clearly and intentionally — lands as a corrective…

The Joys and Abundance in the Life and Art of Inday Cadapan
By Mara Fabella
"The simplicity in her form and her lack of a formal artistic background had many questioning her skills. But Inday…

A Conversation: Brushing histories, carving space
By Lyra Garcellano and Lec Cruz
In reflections on their personal artistic process, the artists invite readers and viewers of art to engage in the active exploration of the past, to…

Weaving a Legacy: Of Art, Growth, and Community
By Alyssa Selanova
"Now in its fourth year, Tubô Cebu Art Fair continuously echoes and demonstrates Visayas-Mindanao's growing and never-ending hunger for art..."

How memory weaves a thread of justice
By Pao Vergara
In its second iteration in the Ateneo Art Gallery, a collaborative exhibit between researchers, autobiographical subjects, and artmakers puts on a…