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Approaching Surface Level: An Interview with Celine Lee
By Sean Carballo

The World of Angelica So and Bunny 
By The Cartellino Team

How Gianne Encarnacion traces the worlds within
By The Cartellino Team
In the past year, the artist and illustrator’s works have come to life as immersive dioramas, joining Cartellino…

 Time as truthsayer and shaper: Seventy Years Later
By Nikki Ignacio
Both guided by the notion that people are “intermediaries and creators of destiny”, Prado and Bumanlag thread moments real and surreal…

A Break-Up as Queer Form in Jao San Pedro’s Willing the Sun to Rise Twice
By Sean Carballo

Print and Imprint: Pandy and Diana Aviado on leaving a mark through printmaking
By Nikki Ignacio
“I’m still trying to find out what it all means—

What happens after the dust settles? Stephen Lucio reflects on mortality
By Shireen Co
Dust envelops the sweep of Stephen Lucio’s first solo exhibit. The through line of ‘When Dust Settles’, it follows the artist’s…

Flux and Process with Antoni Muntadas
By Sean Carballo
Following his review of the artist's' Exercises on Past and Present Memories, Sean Carballo and Antoni Muntadas sit down to reflect on the…

Molding, meaning, making: How Tahanan Pottery is building a communal home for contemporary ceramic pottery
By Nikki Ignacio
“Clay is the only material that replies to your touch. When you poke it and pull it, that’s actually you,…

The Joys and Abundance in the Life and Art of Inday Cadapan
By Mara Fabella
"The simplicity in her form and her lack of a formal artistic background had many questioning her skills. But Inday…

How memory weaves a thread of justice
By Pao Vergara
In its second iteration in the Ateneo Art Gallery, a collaborative exhibit between researchers, autobiographical subjects, and artmakers puts on a…

To the fires that never go out: An ode to the myth, method, and madness in Iya Regalario’s Tag-Apoy
By Nikki Ignacio
“Fire is life and death, the beginning and end, constantly burning through the timeline of our national identity…

Score the matrix until you cut through: The art of Printmaking for the People
By The Cartellino Team
“Printmaking stands at the front lines of progressive propaganda. It has long been an important part of Philippine…

Artist Interview: Sam Feleo on Process and Her Next Steps
By Jose Naval
"In a way, the process became a process of care: about caring, about pruning, about nurturing. The…

Tanya Villanueva Shows Us There Is No Beauty in Violence
By Zea Asis
Named after indigenous groups in the country, Tanya Villanueva's paintings prompt any viewer of her exhibition to reach for context.

Keep It Lush: The Ateneo Wild Launches a Thoughtful Coloring Book Series
By The Cartellino Team
Four volumes are set to release this World Wildlife Day, March 3.

Stories Worth (Re)Telling: Philippine Artists at 2020 Berlin Biennale
By The Cartellino Team
Does it take an international biennale to learn about our local artists? No, but it's a good writing prompt.

In Science We Trust: Why and How Does Paper Degrade?
By The Cartellino Team
Because everyone knows to rely on facts.

For Science: Space Encounters Gallery Launches Online Fundraiser
By The Cartellino Team
Ongoing until May 30, 2020.

Cut & Curated: Uncertain Topographies
By Jose Naval
The persistent indifference of natural time often takes us by surprise, inspiring wonder at how it subtends all forms of life.

SuperFlat: How Takashi Murakami Set The Stage For Post-War Japan
By Jose Naval
When Murakami first coined the term in 2001, it was to draw a connective line between the principles and two-dimensional aesthetics of Ukiyo-e…