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Flux and Process with Antoni Muntadas

Following his review of the artist's' Exercises on Past and Present Memories, Sean Carballo and Antoni Muntadas sit down to reflect on the…

Finding the Filipino in Living Pictures

Decribed as “the world’s first-ever survey of photography's histories across Southeast Asia”, ‘Living Pictures’ offers…

Material Histories in Muntadas: Exercises on Past and Present Memories

"Resulting from a period of archival research after the artist first visited the country in 2019, Antoni Muntadas’s…

Embodied epics: The body and its memories in Julie Lluch’s Chronicles on Skin

In a time where the transmission of stories faces revision, miscommunication, erasure, and a host of other issues,…

Participating in the anti-monument in You Betrayed the Party Just When You Should Have Helped It

"The anti-monument is understated. It listens to the land and it listens to the people, creating space for long-marginalized histories and alterities…

A Paradise Ago: Pinky Ibarra Urmaza's Ghost Ode to the Library

"What does an artwork know? What does it withhold from the viewer? And how does one, finally, respond to its enigmas?"

The building blocks of Baraks: Artists at the heart of the collective/space

“Fundamentally, artists are at the heart of this collective/space, so we understand the economics of how it is…

Reflecting Legacies: The Glass Art of Anna Orlina

Between carrying her family's legacy and forging her own artistic path, Anna Orlina's practice is one of harmony and play. 

Tactile trajectories: The curatorial life with Pristine de Leon

"Archive here is not personal, but intimate; it keeps the world close by. The hand is only one among many hands, open to being touched."

Beyond the line: A profile on Eugenia Alcaide

“It is this emotion that compels, that makes art relatable, that turns a personal image universal.”

Galleries take a youthful approach to art at the Xavier Art Fest 2023

Resuming its in-person format, the Xavier Art Fest continues its mission to make art less intimidating.

Reading Gale Encarnacion’s Pushkin Roberts Anthology

"I found myself looking at each work in its entirety before checking their titles, as each literary reference entailed…

Oh, for art’s sake! The No Name Show is back

In The No Name Show 2.0, Gravity Art Space puts art-for-pleasure center stage

Molding, meaning, making: How Tahanan Pottery is building a communal home for contemporary ceramic pottery

“Clay is the only material that replies to your touch. When you poke it and pull it, that’s actually you,…

Kanpeki: The Voice of Independent Philippine Artists Heard in Kyoto

Koki Lxx visits Kyoto’s Voice Gallery, where curator Matsuo Megumi has teamed up with Nano to survey the state of independent art-making in the…

An art of memory in crisis

"In these works, looking is no ambiguous act. To look — clearly and intentionally — lands as a corrective…

Jana Benitez answers and shares the call of the wild

With a wide range of styles following her childhood entry into the art world, the painter has since touched upon something…

Further Conversation with Material: Curator’s Talk with Lara Acuin and Con Cabrera 

Speaking with Lk Rigor, curators Lara Acuin and Con Cabrera go into the intricacies of curating, artmaking, and archiving, and how the team —…

A Conversation: Brushing histories, carving space

In reflections on their personal artistic process, the artists invite readers and viewers of art to engage in the active exploration of the past, to…

of forgetting, of remembering

"Writing has to side with collective truths and it should compel one to interrogate rather than to provide absolute…