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“In the Face of…”

A Portrait of a Portrait Show II
By Mara Fabella

When Collecting Is Caring: In Conversation With Dr. Anthony Marc Ancheta
By Madeleine Teh

Added to Cart: Ayka Go’s Play House Offers a Place to Daydream

 
By Sean Carballo

Approaching Surface Level: An Interview with Celine Lee
By Sean Carballo

Everything’s Going to Be Fine: In Conversation with Katrina Stuart Santiago
By Madeleine Teh

In Cholo Cardenas' mind's eye
By The Cartellino Team

Colors and core memories in Littlespaceboi's art
By The Cartellino Team

Two collectives show how Antipolo’s art traditions continue to define the city as a creative capital
By Pao Vergara
Against a backdrop of museums, workshops, and artist retreats, we spotlight…

Once/Is A Girl: On Marionne Contreras’ Poetry has left me 
By Zea Asis

Hauntingly beautiful: Manifesting queer beauty through reclaimed narratives in Zeus Bascon’s Multong Bakla
By Pao Vergara
Artists across genres in the Philippines and the diaspora in Canada combined…

Refuge in the Art of Nicole Tee
By Mara Fabella
"Are we shaped by the spaces around us, or are our spaces extensions of our…

Stitching Her Own Image: On Maricar Tolentino’s Sipat
By Zea Asis

Allan Balisi’s Waiting Games
By Sean Carballo
"[T]here’s a romantic tinge to the practice of waiting, an ache that renders us momentarily porous, submersible."

A wild plant grows through the concrete pavement
By Pao Vergara
Punk lives on in unexpected spaces through artists A.lien (Neil Arvin Javier)…

The tenor of sound practice in Manila
By Chesca Santiago
A conversation with Dayang Yraola on the labels, ecologies, and shifts of sound.

The non-brutal submissions in Archie Geotina’s Tropikal Brutalism
By Lk Rigor

 Time as truthsayer and shaper: Seventy Years Later
By Nikki Ignacio
Both guided by the notion that people are “intermediaries and creators of destiny”, Prado and Bumanlag…

Upon A Bed of Gravel: A Journey Through Nona Garcia’s Overland
By Mara Fabella
What does it mean to actually “be” in a place—to be present in all its qualities, in what…

Two shows bask in clay’s quiet conundrums
By Sean Carballo
Pablo Capati III, Marco Rosario, and Jezzel Wee’s ‘These common, intimate things’, and Jon…

The Black Dog Rises: Javy Villacin’s Itum na Ido at Qube Gallery
By Alyssa Selanova
In his ‘Itum na Ido’, Javy Villacin combines past and future to chart the evolution of power.  

A Break-Up as Queer Form in Jao San Pedro’s Willing the Sun to Rise Twice
By Sean Carballo