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Refuge in the Art of Nicole Tee
By Mara Fabella
"Are we shaped by the spaces around us, or are our spaces extensions of our…

The Visceral Mindscapes of Tarzeer Pictures’ Hemispheres
By Sean Carballo
"Throughout the show, a range of elements attempt to provide structure and…

Stitching Her Own Image: On Maricar Tolentino’s Sipat
By Zea Asis

Hannah Nantes on the home and its (dis)contents
By The Cartellino Team
Her Cartellino solo release Garden of Lost Snails continues until October 18.

Looking back at Angkor Photo Workshops
By Lk Rigor
As deadlines approached for the next Angkor Photo Festival and Workshops, Lk Rigor joins Angkor Photo alumni…

A city that kills in Mike Olea’s Kanayunan Patungong Kalunsuran
By Chesca Santiago
Mike Olea’s photographs trace killing as violence encoded in the daily…

What's in a gesture?
By Sean Carballo
"To gesture, on the one hand, is to signify an artistic mark. But, on the other, it is an intuitive language…

Nina Garibay and the art of piecing a presence together
By The Cartellino Team
Her Cartellino Solo Release, I’m…

Allan Balisi’s Waiting Games
By Sean Carballo
"[T]here’s a romantic tinge to the practice of waiting, an ache that renders us momentarily porous, submersible."

A wild plant grows through the concrete pavement
By Pao Vergara
Punk lives on in unexpected spaces through artists A.lien (Neil Arvin Javier)…

The tenor of sound practice in Manila
By Chesca Santiago
A conversation with Dayang Yraola on the labels, ecologies, and shifts of sound.

Data Dump: AI and Abstraction in Wataru Sakuma’s Hypercomplex
By Sean Carballo
Across Sakuma’s paper works in Hypercomplex

Natures of Curation: A Conversation with Gian Carlo Delgado
By Sean Carballo
In the Realm of Nature grappled…

Dreaming and Beyond: Jun Impas’ Pangandoy
By Gwen Bautista
“From festivals to the stillness of a normal weekday, his paintings orient us to see the peripheries.” 

Tracing the Ant: Curator’s Talk with Mayumi Hirano
By Lk Rigor
In her second Curator's Talk, writer Lk Rigor speaks with Mayumi Hirano about the challenges and charms of…

Upon A Bed of Gravel: A Journey Through Nona Garcia’s Overland
By Mara Fabella
What does it mean to actually “be” in a place—to be present in all its qualities, in what…

Two shows bask in clay’s quiet conundrums
By Sean Carballo
Pablo Capati III, Marco Rosario, and Jezzel Wee’s ‘These common, intimate things’, and Jon…

The Black Dog Rises: Javy Villacin’s Itum na Ido at Qube Gallery
By Alyssa Selanova
In his ‘Itum na Ido’, Javy Villacin combines past and future to chart the evolution of power.  

First impressions: Inside the OVERINKED Studio
By The Cartellino Team
As part of Prints Made in May 2023, Cartellino met with the members of up-and-coming…

A Break-Up as Queer Form in Jao San Pedro’s Willing the Sun to Rise Twice
By Sean Carballo

Print and Imprint: Pandy and Diana Aviado on leaving a mark through printmaking
By Nikki Ignacio
“I’m still trying to find out what it all means