The Treachery and Optimism of Ayka Go’s Images
By Mara Fabella

Like This/Like That: On 'Katulad/Kahadha'
By Lix Sumilong
This Instagram exhibition draws striking parallels between works by Philippine and Arab masters, identifying points of contact in diplomacy, migrant…

On 'Same Shapes, Different Each Time'
By Shireen Co
Miguel Puyat's first solo show invites viewers into the creative act, as first imagined, and as it ought to be.

Taking a Moment to Reflect in 'Breathing Space'
By Mara Fabella
When in quarantine, any breathing room wall tends to close in.

Tanya Villanueva Shows Us There Is No Beauty in Violence
By Zea Asis
Named after indigenous groups in the country, Tanya Villanueva's paintings prompt any viewer of her exhibition to reach for context.

Within Curfew Hours with Wipo
By Isabel Cabal
For 'Sulok ng Araw', the artist's third solo exhibition, Wipo tracks time through an all-too-familiar vantage point.

Stories That Paint a Portrait of Negrense Women Artists
By Marz Aglipay
Here is a run-down of the works on view for 'Istorya Namon Subong,' now on its last week.

Drifting in Pepe Delfin's Transient City
By Jose Naval
In the artist's latest paintings, the viewer's eye tends to move about them as their inhabitants do. 

The Ghostly Recollections of Koki Lxx
By Jose Naval
The longer one lingers in the exhibition, the more strongly the effects turn out to be as the title…

How Steph Alvarez Approaches Devotion
By Jose Naval
A reflection on devotion, how it tangles with persistence, and how fortitude comes with age.

Miguel Lorenzo Uy Blueprints a Techno-Utopia
By Jose Naval
We’re millennials; we know how personalized ads work. But when used to surface parallels between…

How Jed Escueta’s ‘Shoo Shine’ Makes Darkness a Friend
By The Cartellino Team

Reconciling with Goodbye to All That
By Jose Naval
"Thus," curator Gwen Bautista writes, "Goodbye to All That is a collection and summary of what all of us in the exhibition would like…

The Everyday Allure of 'The Thing Is'
By Jose Naval
The group exhibition achieves that marvelous effect when nuanced works you presume aren't "art" at first, become it at a jolt.

CLOSING: Gary-Ross Pastrana’s ‘some recent (& disrupted) projects’
By Jose Naval

Three’s Company at Galerie Stephanie
By Jose Naval

Cut Up This Body: Artists Ma, Man, and Ho for Gallery Exit
By The Cartellino Team
For those who have become film buffs over the extended lockdown, does Gallery Exit have the group exhibition for you.

CANVAS Launches a Soaring Pilot with ‘Seeking Balance’
By The Cartellino Team

Space Encounters Gallery Encounters White Elephant
By The Cartellino Team
Get your regular dose of pop and color with Space Encounters' latest shows

All Paper, All Different at Galerie Stephanie
By The Cartellino Team
The gallery's Position Paper (Year Three) exhibits the dizzying possibilities the medium allows.

Jeffrey Jay Jarin’s ‘Fake Happy,’ Forever
By Jose Naval