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Regina Reyes and the Art of What We Leave Behind

In the artist's second solo show, Sunday becomes a vibe. The author catches up with the artist on the ideas…

Like This/Like That: On 'Katulad/Kahadha'

This Instagram exhibition draws striking parallels between works by Philippine and Arab masters, identifying…

Present Catechisms

Why with art amid crisis are we no longer surprised?

On 'Same Shapes, Different Each Time'

Miguel Puyat's first solo show invites viewers into the creative act, as first imagined, and as it ought to…

Here Today, Gone Tomorrow: Careening on the Conceptual Tailwind of Hae Ryun

The story of how an artist found the amalgam for her life through a dream.

Drifting in Pepe Delfin's Transient City

In the artist's latest paintings, the viewer's eye tends to move about them as their inhabitants do. 

Abstracting a Life in Art

Artist-curator and writer Stephanie Frondoso shares her story on how she found a career in art.

Miguel Lorenzo Uy Blueprints a Techno-Utopia

We’re millennials; we know how personalized ads work.…

Know That Platform: AITP Exhibitor Spotlight

Art in the Park's now on full swing. Here's a primer. 

Sam Feleo at a Cellular Pace

How Sam Feleo found amicability with slowness.

Why First Edition?

Our running thoughts, the beneficiaries, and, possibly, how art can matter.

France Daffon Is Just Getting Started

France Daffon of Cartellino's Picks answers the First Edition questionnaire.

Pepe Delfin Wins at Charades

Pepe Delfin of Cartellino's Picks answers our First Edition questionnaire.

Dashiell Manley, Working Between Intention and Diversion

The multimedia artworks of Dashiell Manley, which have gone and been exhibited…

Six Philippine Contemporary Artists Make for a Stunning Bangkok Debut

On display at La Lanta Fine Art is their group show, "Displacement"

Artinformal Celebrates Its 16th in Multilayered Reflection

Exhibited are works of seven multigenerational artists called to answer the question, "What does the number…

Standing at the Brink with Cristina Gamón

“I stand for painting, and I defend that the sublime and seductive be perpetuated in the contemporary…