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Aldy Aguirre's Reflections in Watercolor

"I can somehow control watercolor, but no fully, and I like that. Not all my…

How Gianne Encarnacion traces the worlds within

In the past year, the artist and illustrator’s works have come to life…

Looking back at Angkor Photo Workshops

As deadlines approached for the next Angkor Photo Festival and Workshops, Lk Rigor joins Angkor Photo alumni…

A wild plant grows through the concrete pavement

Punk lives on in unexpected spaces through artists A.lien (Neil Arvin Javier)…

 Time as truthsayer and shaper: Seventy Years Later

Both guided by the notion that people are “intermediaries and creators of destiny”, Prado and Bumanlag…

Dreaming and Beyond: Jun Impas’ Pangandoy

“From festivals to the stillness of a normal weekday, his paintings orient us to see the peripheries.” 

Tracing the Ant: Curator’s Talk with Mayumi Hirano

In her second Curator's Talk, writer Lk Rigor speaks with Mayumi Hirano about the challenges and charms of…

Finding the Filipino in Living Pictures

Decribed as “the world’s first-ever survey of photography's histories across Southeast Asia”,…

A Paradise Ago: Pinky Ibarra Urmaza's Ghost Ode to the Library

"What does an artwork know? What does it withhold from the viewer? And how…

Framing Windows to an Archive in three facets (After a text by Randall C. Jimerson)

At ALiWW, Imelda Cajipe Endaya's archival exhibit presents a repository "open,…

The Gathering Infestation in ND Harn’s Collecting Faults

ND Harn's latest offering at Finale Art File unpack the stashes of thoughts and memories we stow away in the…

Pio Abad: Exorcising the Ghosts of the Marcos Regime

After ten years of research into the conjugal dictatorship of Ferdinand and Imelda Marcos, Pio Abad's Fear…