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From Maginhawa to Koganecho, With Love
By Pao Vergara

Approaching Surface Level: An Interview with Celine Lee
By Sean Carballo

Everything’s Going to Be Fine: In Conversation with Katrina Stuart Santiago
By Madeleine Teh

The Visceral Mindscapes of Tarzeer Pictures’ Hemispheres
By Sean Carballo
"Throughout the show, a range of elements attempt to provide structure and…

Hannah Nantes on the home and its (dis)contents
By The Cartellino Team
Her Cartellino solo release Garden of Lost Snails continues until October 18.

The non-brutal submissions in Archie Geotina’s Tropikal Brutalism
By Lk Rigor

Data Dump: AI and Abstraction in Wataru Sakuma’s Hypercomplex
By Sean Carballo
Across Sakuma’s paper works in Hypercomplex

First impressions: Inside the OVERINKED Studio
By The Cartellino Team
As part of Prints Made in May 2023, Cartellino met with the members of up-and-coming…

A Break-Up as Queer Form in Jao San Pedro’s Willing the Sun to Rise Twice
By Sean Carballo

Print and Imprint: Pandy and Diana Aviado on leaving a mark through printmaking
By Nikki Ignacio
“I’m still trying to find out what it all means

The Nebulous Aftermath: Rebirth in the Works of Amy Aragon, Jay Ticar, and Maria Cruz
By Mara Fabella
"It remains the keen ability of the artist to condense this vast spectrum of…

Galleries take a youthful approach to art at the Xavier Art Fest 2023
By Pao Vergara
Resuming its in-person format, the Xavier Art Fest continues its mission to…

Catalina Africa charts a shapeshifting path
By Sean Carballo
“The energy of my work comes from the Baler landscape... I am a conduit…

A Liminal Outer Space: On Celine Lee and Miguel Lorenzo Uy’s A Past, A Future
By Pie Tiausas
"What Lee and Uy simulate [...] lies in the interstices of our world and beyond — both here and there,…

An art of memory in crisis
By Sean Carballo
"In these works, looking is no ambiguous act. To look — clearly and intentionally…

Looking through the materiality of memories in Isha Naguiat's Photo of a Photo
By Lk Rigor
"By altering her family photographs physically and chemically, the artist created…

Fotomoto 22 brings us “Home”
By Marz Aglipay
Fotomoto 22 opens up to more photographers for its second edition themed “Home”.

'The absence left the void half full': Works on what we find in nothingness
By Gabrielle Gonzales
Cartellino's first ever physical exhibition, presented at the 2022 Modern and Contemporary Art Festival, features…

Discerning Treasure and Wealth in Jandy Carvajal’s Repoussé Artworks
By Mara Fabella
His third exhibit of repoussé works, Ang Ating Mga Kayamanan Sa Bakuran is Jandy Carvajal's…

The Gathering Infestation in ND Harn’s Collecting Faults
By Mara Fabella
ND Harn's latest offering at Finale Art File unpack the stashes of thoughts and memories we stow away in the…

Score the matrix until you cut through: The art of Printmaking for the People
By The Cartellino Team
“Printmaking stands at the front lines of progressive propaganda. It…